May 25 - August 6, 2017
Recognized as one of the leading sculptors of Costa Rica, José Sancho pursues a broad range of themes in his works, yet nature is always the most essential starting point. His unique conceptual style constitutes a fine example of a dialogue that can be established between what is local and global, particular and universal.
Curated by art historian and critic Mária Enriqueta Guardia Yglesias, the exhibition focused on the artist’s animal and figure themes. Although he is inspired by artists such as Picasso and Brancusi, Sancho gravitates less towards the abstract; his depictions inspired by nature and the spaces in which they are installed carry out a constant dialogue.
Many of the artist’s works grow roots in their settings and thus seize the connection between the individual and the universal by being integrated into a timeless space recalling the cosmos. Also influenced by the Hispanic and pre-Colombian art of the land into which he was born and presenting this influence with new readings, Sancho masterfully uses different media: wood, granite, marble, bronze, iron plates, and found objects allow the artist to recreate the animal forms and the infinite representations of femininity.
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Exhibition Catalogue
Recognized as one of the leading sculptors of Costa Rica, José Sancho pursues a broad range of themes in his works, yet nature is always the most essential starting point. His unique conceptual...
Video
Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
This life-size portrait of a girl is a fine example of the British art of portrait painting in the early 18th century. The child is shown posing on a terrace, which is enclosed at the right foreground by the plinth of a pillar; the background is mainly filled with trees and shrubs.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)