Time Lapsus

  • April 22, 2016 / 21:00
  • April 30, 2016 / 19:00

Director: Marcos Lutyens
USA, 2015, 7’, color, No Dialogue

The performance is a set of mirrored narratives inspired by the Film Rêve-Noir genre of David Lynch. Mulholland Drive and Lost Highway have important scenes close to the actual location of the house where this Time Lapsus event took place. 2 sets of twinned performers move around the space, as a layer in another time, but occupying the same physical space as 'real' guests at a Hollywood Party. The performance continues at its own pace regardless of what is going on in the party. There was no intention of this being a audience/performer situation, but rather a co-mingling of situations: that of the guests and the performers, each in their own layer of time. Only the viewer is aware, in retrospect, of both situations.

This film will be screened before "Piercing Brightness".

Lost River

Lost River

The One I Love

The One I Love

Blind

Blind

A Pigeon Sat on a Branch Reflecting on Existence

A Pigeon Sat on a Branch Reflecting on Existence

Lightning 1st Part

Lightning 1st Part

Lightning 2nd Part

Lightning 2nd Part

Coherence

Coherence

Upstream Color

Upstream Color

Piercing Brightness

Piercing Brightness

Time Lapsus

Time Lapsus

Waking Life

Waking Life

When Animals Dream

When Animals Dream

Why Can't I Be Tarkovsky?

Why Can't I Be Tarkovsky?

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Symbols

Symbols

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

İstanbul: Before & After

İstanbul: Before & After

Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!