January 31 - April 9, 2006
The exhibition, curated by Robert Delpire, was organized in collaboration with Pera Museum, Magnum Photos and Fondation Henri Cartier Bresson and introduced the great master of the 20th century to visitors with more than a hundred of his photographs.
According to Henri Cartier-Bresson, “to photograph: it is to put on the same line of sight the head, the eye and the heart. It is a way of life.” The majority of his work aims to reveal, within a "decisive moment”, the universal dimensions of seemingly ordinary events that surround us.
Exhibition Catalogue
Henri Cartier-Bresson practiced, after the fashion of the surrealists whom he knew, an automatic writing applied to the world of the image: "To photograph", he said, "is to bring the head, the eye...
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.
Today we are thrilled to present the second playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
