}

The Logbook of the Ottoman Navy

Ships, Legends, Sailors

May 15 - October 4, 2009

Ottoman Principality was introduced to the dark sea of the Middle Ages early in the 14th century. The battles with the Venetians and the Genoese, conquests in Rumelia, and the establishment of the first shipyards all occurred during this period. As the conquest of İstanbul marked the end of the period of transition from Principality to Empire, the foundations of a strong navy that would unite the Mediterranean and the Black Sea over a political geography were laid. The power of the corsairs diminished by the end of the Renaissance; Barbaros Hayreddîn Pasha personified the golden age of Ottoman sea power. The discovery of the New World had instigated a revolution in the maritime world. Traditional Venetian galleys gave way to Spanish galleons and manpower was replaced by wind power. The Ottoman navy assumed a pioneering role in the process of modernization that extended from the 18th to the 20th century. Naval education in the Western sense, the implementation of new technologies and the organization of a modern fleet were all consequences of this period. Advancing from the galley to the battlecruiser, Ottoman sea power had the final say in the affairs of the Empire. “The Logbook of the Ottoman Navy: Ships, Legends, Sailors” exhibition intertwines three distinct, yet integrated mythologies of the sea. The imprint of the ships in Ottoman seafaring history, the battles they were engaged in and the heroes who became legendary in these battles assume their places on the stage of civilization in all their historic magnitude. At the center of the construct lies the extraordinary adventure of the transition from traditional to modern seafaring methods. The quest for power, the demolished thrones and man's identification of his fate with the sea is perhaps the oldest story behind this adventure. The cornerstones of a long history that extends from the legacy of a 16th century Ottoman galley to the battlecruiser, Yavuz, is brought to light through the memories of seamen.

Exhibition Catalogue

The Logbook of the Ottoman Navy

The Logbook of the Ottoman Navy

Ottoman Principality was introduced to the dark sea of the Middle Ages in early 14th century. The battles with the Venetians and the Genoese, conquests in Rumelia, and the establishment...

Midnight Horror Stories: Pollens, Photosynthesis & Rock ‘N’ Roll <br> Murat Başekim

Midnight Horror Stories: Pollens, Photosynthesis & Rock ‘N’ Roll
Murat Başekim

Pera Museum Blog is launching a new series of creepy stories in collaboration with Turkey’s Fantasy and Science Fiction Arts Association (FABISAD). The Association’s member writers are presenting newly commissioned short horror stories inspired by the artworks of Mario Prassinos as part of the Museum’s In Pursuit of an Artist: Istanbul-Paris-Istanbul exhibition. The third story is by Murat Başekim! The stories will be published online throughout the exhibition. Stay tuned!

Portrait of Martín Zapater (1797)

Portrait of Martín Zapater (1797)

Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803. 

Transition to Sculpture

Transition to Sculpture

If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.