Artist Talk
September 8, 2016 / 18:30
Presented as part of Katherine Behar: Data’s Entry exhibition, the artist Katherine Behar will give a talk titled “Optimized, not Optimistic”. In this talk, Behar presents her artwork and discusses the often confounding and sometimes rebellious ways that people and technologies manage to coexist in digital labor.
About Katherine Behar
Katherine Behar explores issues of gender and labor in contemporary digital culture. Her work has been presented at festivals, galleries, and performance spaces throughout North America and Europe. A previous solo exhibition and catalog, Katherine Behar: E-Waste , premiered at the University of Kentucky in 2014 and traveled to Boston Cyberarts Gallery. Since 2005 she has collaborated with Marianne M. Kim in the performance art duo Disorientalism, which studies how technologized work, junk culture, and consumerism mediate race and gender. Her publications And Another Thing: Nonanthropocentrism and Art, coedited with Emmy Mikelson, and Bigger than You: Big Data and Obesity were both published by punctum books in 2016. She is the editor of ObjectOriented Feminism, forthcoming in 2016 from University of Minnesota Press. Behar holds an MFA in combined media from Hunter College, an MA in media ecology from New York University, and a BFA from the School of the Art Institute of Chicago. She is based in New York and is currently assistant professor of new media arts at Baruch College.
Free of admissions, drop in.
The talk will be in English with simultaneous translation to Turkish.
Temporary Exhibition
Pera Museum presented Katherine Behar: Data’s Entry, the first museum survey exhibition of this New York-based artist who moves fluidly between sculpture, performance, video, and writing.
Click for more information about the exhibition.
When we examine the Ottoman-themed paintings of indoor everyday life by western painters, musical entertainment attracts attention as a fundamental aspect of the lifestyle.
José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.
While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
