An Open Platform
TAY Kay Chin

Curator’s Talk

April 5, 2018 / 18:30

Founded in 2010, PLATFORM is a photography collective promoting photojournalism and documentary work in Singapore through talks, panels and presentations at Sinema and the National Museum of Singapore, among other international venues. The TwentyFifteen.sg book publishing initiative by PLATFORM was started with limited funding but over the years grew into profitable publishing enabling other creative outlets for diverse range of photography based projects. The individual visions and voices of this small group of volunteers have been incredibly nurturing and creative. In this talk, TAY Kay Chin – co-founder of PLATFORM, co-creator of the TwentyFifteen.sg and +50 projects, and curator of Pera Museum’s Singapore Unseen exhibition – will share the nuts and bolts behind these impressive initiatives.

TAY Kay Chin is a co-founder of PLATFORM and TwentyFifteen.sg. A vocal advocate of photography in Singapore, he spent more than a decade in newspapers in Singapore and the US, working his way up from photographer to presentation editor. In 2003, Kay Chin was named one of 12 Hasselblad Masters of the world. He anchored the photojournalism programme at the Wee Kim Wee School of Communication and Information at Nanyang Technological University from 2009 to 2015. Besides commercial and personal projects, he devotes his time to promoting photography, writing, consulting and lecturing.

Free admissions, drop in. This event will take place in the auditorium. The talk will be in English with simultaneous Turkish translation.

Geography

Geography

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

Jean-Léon Gérôme: Cultural Interactions in the Age of Change

Jean-Léon Gérôme: Cultural Interactions in the Age of Change

Jean-Léon Gérôme is among the most renowned artists of the second half of the 19th century. One of the most fervent advocates of academic painting, Gérôme declared a personal war against modern movements such as Impressionism. 

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.