Artist Talk
January 23, 2016 / 14:30
As part of the program “Music Embodied” parallel to the exhibition This is Not a Love Song: Video Art and Pop Music Crossovers, Pera Museum presents a series of talks about performance art and its interdisciplinary collaborations in collaboration with biriken. Caden Manson, co-founder of Big Art Group, talks about his practice at Pera Museum on Saturday 23 January at 14:30. Big Art Group is a New York-based experimental performance ensemble founded by Caden Manson and Jemma Nelson in 1999. Big Art Group uses language and media to push formal boundaries of performance, film and visual arts; it creates culturally transgressive works and innovative performances using original text, technology, and experimental methods of communication.
About Caden Manson
Caden Manson is Co-Founder of bigartgroup.com, Editor of contemporaryperformance.com and Curator of the Special Effects Festival in NYC. He is a Performance Maker, Video Artist, Curator, and Professor. He has co-created with Jemma Nelson and their ensemble 18 Big Art Group productions touring to 30 countries. Manson has shown video installations in Austria, Germany, NYC, and Portland; performed PAIN KILLER in Berlin, Singapore, and Vietnam; Taught in Berlin, Rome, Paris, Montreal, NYC, and Bern; his ensemble has been co-produced by the Vienna Festival, Festival d’Automne a Paris, Hebbel Am Ufer, Rome’s La Vie de Festival, Wexner Center for the Arts, and Aborns Art Center. He is a 2001 Foundation for Contemporary Art Fellow, 2002 Pew Fellow, and a 2011 MacDowell Fellow. His writing has been published in PAJ, Theater Magazine, and Theater der Zeit.
The talk will be in English with simultaneous translation to Turkish.
işbirliğiyle
Temporary Exhibition
Pera Museum presented an exhibition titled This is Not a Love Song: Video Art and Pop Music Crossovers which traced the genealogy of the relations between video art and pop music.
Click for more information about the exhibition.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
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Full ticket: 200 TL
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