Artist Talk
January 23, 2016 / 14:30
As part of the program “Music Embodied” parallel to the exhibition This is Not a Love Song: Video Art and Pop Music Crossovers, Pera Museum presents a series of talks about performance art and its interdisciplinary collaborations in collaboration with biriken. Caden Manson, co-founder of Big Art Group, talks about his practice at Pera Museum on Saturday 23 January at 14:30. Big Art Group is a New York-based experimental performance ensemble founded by Caden Manson and Jemma Nelson in 1999. Big Art Group uses language and media to push formal boundaries of performance, film and visual arts; it creates culturally transgressive works and innovative performances using original text, technology, and experimental methods of communication.
About Caden Manson
Caden Manson is Co-Founder of bigartgroup.com, Editor of contemporaryperformance.com and Curator of the Special Effects Festival in NYC. He is a Performance Maker, Video Artist, Curator, and Professor. He has co-created with Jemma Nelson and their ensemble 18 Big Art Group productions touring to 30 countries. Manson has shown video installations in Austria, Germany, NYC, and Portland; performed PAIN KILLER in Berlin, Singapore, and Vietnam; Taught in Berlin, Rome, Paris, Montreal, NYC, and Bern; his ensemble has been co-produced by the Vienna Festival, Festival d’Automne a Paris, Hebbel Am Ufer, Rome’s La Vie de Festival, Wexner Center for the Arts, and Aborns Art Center. He is a 2001 Foundation for Contemporary Art Fellow, 2002 Pew Fellow, and a 2011 MacDowell Fellow. His writing has been published in PAJ, Theater Magazine, and Theater der Zeit.
The talk will be in English with simultaneous translation to Turkish.
işbirliğiyle
Temporary Exhibition
Pera Museum presented an exhibition titled This is Not a Love Song: Video Art and Pop Music Crossovers which traced the genealogy of the relations between video art and pop music.
Click for more information about the exhibition.
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.
Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
