Cold Front from the Balkans

Curator's Tour

March 16, 2017 / 18:30

Join us for a guided tour of the Cold Front from the Balkans exhibition with the co-curator Alenka Gregorič. The tour will offer a unique insight to the works of the exhibition.

Alenka Gregorič is an art historian, curator and writer. She previously worked as artistic director of Škuc Gallery, Ljubljana and currently she is the artistic director and curator at City Art Gallery Ljubljana and CC Tobacco 001. In 2009 she was the curator of Slovenian pavilion at Venice Biennial and co-curator of 28th Graphic Biennial in Ljubljana, and in 2011 she was co-curator of the 52nd October Salon in Belgrade, in 2014 one of the curators for the Curated by Vienna. Her various curated exhibitions featured works by artists such as Vuk Ćosić, Jan Fabre, Omer Fast, Harun Farocki, Vadim Fiškin, IRWIN, Jannis Kounellis, Rabih Morue, Ivan Moudov, Dan Perjovschi, Marjetica Potrč, Mladen Stilinović, Raša Todosojević, Bill Viola, Katarina Zdjelar and many others. In addition she has written numerous essays, reviews and articles for various artist books, catalogues and other publications. 

The tour will be in English with consecutive Turkish translation.

Admission: 30 TL  (Free for Friends of the Museum) 
Tickets can be purchased on Biletix. Or to book please e-mail: resepsiyon@peramuzesi.org.tr
Places are limited. 

Temporary Exhibition

Cold Front from the Balkans

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brought together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

Cold Front from the Balkans

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Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black. 

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.