Conversation with Peter Tscherkassky

Talk

September 22, 2024 / 16:30

As part of The Dream of the Avant-Garde program, presented in collaboration with Pera Film, Othon Cinema, and the Österreichische Kulturforum Istanbul, a retrospective of films by Austrian director Peter Tscherkassky will be featured. Following a short film selection screening titled The Cinematic Layers on the same day, an interview with Peter Tscherkassky will be held.

About Peter Tscherkassky
Peter Tscherkassky, born in Vienna in 1958, is an Austrian avant-garde filmmaker. He studied at the University of Vienna and Freie Universität in Berlin, where he completed his doctoral thesis on "Film and Art." Tscherkassky has been making films since 1979 and has published extensively in film theory and history since 1984. He has held various teaching positions at the University of Art and Industrial Design in Linz (1989-2002) and the University of Applied Arts in Vienna (1998-2006). In 1993 and 1994, Tscherkassky served as the artistic director of the Diagonale - Austrian Film Festival. His films have received more than 50 national and international awards, including the "Austrian Film Art Prize" (1996), the "Grand Prize at the Oberhausen International Short Film Festival" (2002), and the "Best Short Film Orizzonti Award" at the Venice Film Festival (2010).

Peter Tscherkassky's films are part of many prestigious collections, including those at the Centre Pompidou, Harvard University's Film Archive, and the Cinémathèque Française. 

The talk will be in English with Turkish consecutive translation. Free admissions. Limited space, drop in, no reservations.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Cameria (Mihrimah Sultan)

Cameria (Mihrimah Sultan)

Based on similar examples by the European painters in various collections, this work is one of the portraits of Mihrimah Sultan, who was depicted rather often in the 16th century.

Chlebowski’s Sultan

Chlebowski’s Sultan

This is one of Stanisław Chlebowski’s larger canvasses dealing with themes other than battles; only Ottoman Life at the Sweet Waters now at the Istanbul Military Museum can compare with it in size.