Conversation with Peter Tscherkassky

Talk

September 22, 2024 / 16:30

As part of The Dream of the Avant-Garde program, presented in collaboration with Pera Film, Othon Cinema, and the Österreichische Kulturforum Istanbul, a retrospective of films by Austrian director Peter Tscherkassky will be featured. Following a short film selection screening titled The Cinematic Layers on the same day, an interview with Peter Tscherkassky will be held.

About Peter Tscherkassky
Peter Tscherkassky, born in Vienna in 1958, is an Austrian avant-garde filmmaker. He studied at the University of Vienna and Freie Universität in Berlin, where he completed his doctoral thesis on "Film and Art." Tscherkassky has been making films since 1979 and has published extensively in film theory and history since 1984. He has held various teaching positions at the University of Art and Industrial Design in Linz (1989-2002) and the University of Applied Arts in Vienna (1998-2006). In 1993 and 1994, Tscherkassky served as the artistic director of the Diagonale - Austrian Film Festival. His films have received more than 50 national and international awards, including the "Austrian Film Art Prize" (1996), the "Grand Prize at the Oberhausen International Short Film Festival" (2002), and the "Best Short Film Orizzonti Award" at the Venice Film Festival (2010).

Peter Tscherkassky's films are part of many prestigious collections, including those at the Centre Pompidou, Harvard University's Film Archive, and the Cinémathèque Française. 

The talk will be in English with Turkish consecutive translation. Free admissions. Limited space, drop in, no reservations.

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development. 

Memory Building Memories / Memory Room / Memento Mori

Memory Building Memories / Memory Room / Memento Mori

Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.

Remembering the Future

Remembering the Future

How can the future be imagined by looking at a collection or an archive? The lasting quality of ceramics allows us to ponder how the future might be remembered through a ceramics collection, since they render conceivable time eternal.