Designer Conversations
LegrandJäger + AATB

Talk

September 22, 2018 / 12:00

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 4th Istanbul Design Biennial from 22 September to 4 November 2018.

The Designer Conversations, organized over the course of the Biennial, provide an exchange platform for participating designers to share and expand on their projects and approach. Participating designers come together in a moderated conversation, revealing their individual processes and exploring common and differing threads in their work and practice. The format adds a discursive layer to the design biennial's exhibition and allows the audience to learn more about the works on display and the designers that created them. 

The Designer Conversations are supported by VitrA

Free admission, drop in. This event will take place in the Pera Café. The talk will be in English.

 

Temporary Exhibition

4th Istanbul Design Biennial

Pera Museum hosted the 4th Istanbul Design Biennial, organized by Istanbul Foundation for Culture and Arts (İKSV). For the 4th Istanbul Design Biennial, organised by the Istanbul Foundation for Culture and Arts (İKSV) and sponsored by VitrA, curator Jan Boelen teamed up with Vera Sacchetti as Associate Curator and Nadine Botha as Assistant Curator.

4th Istanbul Design Biennial

The Chronicle of Sarajevo

The Chronicle of Sarajevo

Inspired by the great European masters, from Renaissance to Art Nouveau, Berber’s works exemplify the deep, opaque whites of his journeys through the fairy tale landscapes of Bosnia to the dark, macabre burrows of Srebrenica.

Today's Stories: Felis <br> Hande Ortaç

Today's Stories: Felis
Hande Ortaç

Inspired by the exhibition Istanbuls Today, Today's Stories series continues with Hande Ortaç's story "Felis"! This series gathers short stories written by authors encouraged by the photographs in the exhibition.

The Big Country

The Big Country

When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.