Fred Wilson

Talk

September 14, 2017 / 17.00

Wilson’s installation, for the Istanbul Biennial, entitled Afro Kismet, includes a number of handcrafted items related to Ottoman culture and the roles of black people within it. Please join us in this conversation with the artist about the long history of black people in the region – many, if not most, with origins in the Ottoman slave trade – and today refer to themselves as Afro-Turks or Afro-Anatolians.

Free of admissions, drop in. This event will take place in the auditorium. The talk will be in English with simultaneous Turkish translation.

 

Temporary Exhibition

15th Istanbul Biennial

Pera Museum hosted the 15th Istanbul Biennial, organized by Istanbul Foundation for Culture and Arts (İKSV) and sponsored by Koç Holding. The 15th Istanbul Biennial brought together artworks by 55 artists from 32 countries, all addressing different notions of home, belonging and neighbourhood.

15th Istanbul Biennial

Midnight Horror Stories: The Landlord <br> Hakan Bıçakcı

Midnight Horror Stories: The Landlord
Hakan Bıçakcı

Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.

Andy Warhol’s Screen Tests

Andy Warhol’s Screen Tests

Between 1963 and 1966 Andy Warhol worked at making film portraits of all sorts of characters linked to New York art circles. Famous people and anonymous people were filmed by Andy Warhol’s 16 mm camera, for almost four minutes, without any instructions other than ‘to get in front of the camera’.