From Istanbul to Byzantium: Paths to Rediscovery, 1800–1955 Exhibition Tour
Gülru Tanman

Exhibition Tour

January 27, 2022 / 19:00
March 1, 2022 / 19:00

Pera Museum and Istanbul Research Institute’s exhibition From Istanbul to Byzantium: Paths to Rediscovery, 1800–1955, curated by Brigitte Pitarakis, explores the central role of the Ottoman capital in shaping the emerging discipline of Byzantine studies. Within the scope of the exhibition, a guided tour is held with a limited number of participants, accompanied by the project manager of the exhibition, Gülru Tanman. 

About Gülru Tanman
After graduating from Bilkent University, Department of Archaeology and Art History, Gülru Tanman completed her MA in Byzantine archaeology and art history at Birmingham University. Currently, she is the head of Istanbul Research Institute and also works in the Byzantine-focused exhibitions, publications and conferences of the institute.

The tour will be in Turkish. Admission: 50 TL (Free admissions for Friends of Pera Museum.) 
To join the tour, you can buy a ticket from Biletix or make a reservation via the e-mail address
reception@peramuzesi.org.tr. Places are limited.

Temporary Exhibition

From Istanbul to Byzantium

Pera Museum and Istanbul Research Institute’s exhibition From Istanbul to Byzantium: Paths to Rediscovery, 1800–1955, curated by Brigitte Pitarakis, explores the central role of the Ottoman capital in shaping the emerging discipline of Byzantine studies.

From Istanbul to Byzantium

It’s better to burn out than to fade away

It’s better to burn out than to fade away

In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.

Midnight Horror Stories: The Landlord <br> Hakan Bıçakcı

Midnight Horror Stories: The Landlord
Hakan Bıçakcı

Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.