Intellectualism and Creativity in Acting
Metin Balay, Arda Öztürk, Levent Üzümcü, Fakiye Özsoysal

Online Talk

October 10, 2021 / 20:00

Pera Museum continues to collaborate with national and international education institutions to introduce young artists’ and designers’ works to audiences. As part of the Confrontation exhibit held on the 25th anniversary of Yeditepe University, events bring panelists from different disciplines together.

The talk on “Intellectualism and Creativity in Acting” will focus on the questions of “How can we render the art of acting to be more than simply imitation?” and “What is the relationship between creativity, intellectualism and critical thinking?” in discussing the actor’s approach and responsibility in the world they live in today.

This meeting will be held on Zoom in Turkish. Reservations are required.

Reservation Form

Temporary Exhibition

Confrontation

Pera Museum continued to collaborate with national and international education institutions to introduce young artists’ and designers’ works to audiences. Curated by Marcus Graf, Confrontation featured art production by the students and graduates of Yeditepe University Faculty’s Fine Arts on the 25th year anniversary of the university. 

Confrontation

Galatasaray, an Institution of Institutions | Besim F. Dellaloğlu

Galatasaray, an Institution of Institutions | Besim F. Dellaloğlu

Is Istanbul a single city? Will Istanbul too, be one day one day divided into different sections, and numbered like the arrondisements of Paris? These are tough questions indeed! 

Paula Rego in Istanbul!

Paula Rego in Istanbul!

We, by which I mean some of my classmates and I, knew about Paula Rego. I’ll have to admit, I didn’t know where Rego was from or even where in Europe Portugal was. I thought she was English. Let me tell you how I first heard the very un-English sounding name “Paula Rego”

Midnight Stories: The Soul <br> Aşkın Güngör

Midnight Stories: The Soul
Aşkın Güngör

The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.