IRWIN - Dušan Mandić

Artist Talk

January 12, 2017 / 18:30

Presented as part of Cold Front From the Balkans exhibition, the artist Dušan Mandić from the artist group IRWIN will give a talk. In this talk,  Mandić focuses on the practice of the group and the NSK.

The IRWIN group was founded in Ljubljana / Slovenia (1983). Its members are Dušan Mandič (born in Ljubljana, Slovenia, 1954); Miran Mohar (born in Novo Mesto, Slovenia, 1958); Andrej Savski (born in Ljubljana, Slovenia, 1961); Roman Uranjek (born in Trbovlje, Slovenia, 1961); Borut Vogelnik (born in Kranj, Slovenia, 1959). IRWIN is also a cofounder of “Neue Slowenische Kunst (NSK) established in 1984 in the Slovenian republic of the Federal Socialist Republic of Yugoslavia. Recent exhibitions and project include: Former West, HKW, Berlin, 2013; A Bigger Splash, Tate Modern, London; NSK Passport Office, Museum of Modern Art (MOMA), Manifesta, Genk, 2012;The Global Contemporary. The Art Worlds after 1989, ZKM /Center for Art and Media Karlsruhe, Karlsruhe, Barcelona, The International, MACBA, 2011; The Promises of the Past, Centre Pompidou, Paris, 2010, State in Time, Kunsthalle Krems, 2009; Here Is Every, Museum of Modern Art (MOMA), 2008–09; NSK Passport Holders, Taipei Biennial, Taipei Art Museum, 2008; Birds of a Feather, Akbank Art Center, Istanbul, 2006–07; Collective Creativity, Kunsthalle Fridericianum, Kassel, 2005; IRWIN: Retroprincip 1983–2003, Künstlerhaus Bethanien, Berlin, 2003; and Individual Systems, 50th Venice Biennale, Venice, 2003. Members of the group live and work in Ljubljana.

Free of admissions, drop in.
The talk will be in English with simultaneous translation to Turkish.

Temporary Exhibition

Cold Front from the Balkans

Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brought together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.

Cold Front from the Balkans

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.

Dancing on Architecture

Dancing on Architecture

I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’. 

From Cypresses to Turkish Landscapes

From Cypresses to Turkish Landscapes

Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.