Artist Talk
September 8, 2016 / 18:30
Presented as part of Katherine Behar: Data’s Entry exhibition, the artist Katherine Behar will give a talk titled “Optimized, not Optimistic”. In this talk, Behar presents her artwork and discusses the often confounding and sometimes rebellious ways that people and technologies manage to coexist in digital labor.
About Katherine Behar
Katherine Behar explores issues of gender and labor in contemporary digital culture. Her work has been presented at festivals, galleries, and performance spaces throughout North America and Europe. A previous solo exhibition and catalog, Katherine Behar: E-Waste , premiered at the University of Kentucky in 2014 and traveled to Boston Cyberarts Gallery. Since 2005 she has collaborated with Marianne M. Kim in the performance art duo Disorientalism, which studies how technologized work, junk culture, and consumerism mediate race and gender. Her publications And Another Thing: Nonanthropocentrism and Art, coedited with Emmy Mikelson, and Bigger than You: Big Data and Obesity were both published by punctum books in 2016. She is the editor of ObjectOriented Feminism, forthcoming in 2016 from University of Minnesota Press. Behar holds an MFA in combined media from Hunter College, an MA in media ecology from New York University, and a BFA from the School of the Art Institute of Chicago. She is based in New York and is currently assistant professor of new media arts at Baruch College.
Free of admissions, drop in.
The talk will be in English with simultaneous translation to Turkish.
Temporary Exhibition
Pera Museum presented Katherine Behar: Data’s Entry, the first museum survey exhibition of this New York-based artist who moves fluidly between sculpture, performance, video, and writing.
Click for more information about the exhibition.
Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.
The Greek god Apollo and his son Asklepios presided over the realm of medicine and healing. Apollo was also the god of light and sun, whose solar symbolism and association with medicine would become linked to Christ the Physician, and the resurrected.
The various states of viewing nudity entered the Ottoman world on postcards before paintings. These postcards appeared in the 1890s, and became widespread in the 1910s, following the proclamation of the Second Constitutional Monarchy, traveling from hand to hand, city to city.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
