Orientalism in Polish Art

Symposium

October 25, 2014 / 10:30

As a result of its geographical location, Poland has always been in close contact with Eastern cultures. Coupled with the Orientalist tendencies of the 19th century, this cultural interaction has led to original outcomes in various fields of art and life. The "Orientalism in Polish Art" Symposium aims to examine these outcomes.

Symposium program

In collaboration

Contribution by

Temporary Exhibition

Orientalism in Polish Art

The exhibition highlighted the orientalist trend in Polish painting, as well as drawings and graphic arts. The works in the exhibition covered a wide period from the 17th to the early 19th centuries.

Orientalism in Polish Art

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art. 

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.