Pursuing the Masters’ Legacy
Minas Avramidis

Exhibition Tour

September 6, 2024 / 18:30

Pera Museum presents a guided exhibition tour series titled Pursuing the Masters' Legacy alongside the Coffee Break exhibition. The second tour examines plates depicting the 'Story of Geneviève,' on which Kütahya ceramic master Minas Avramidis (1877-1954) blended mythology with the intricacies of ceramic art. This depiction, which emphasizes the concepts of loyalty and virtue, sheds light on the social changes in the Ottoman Empire during the first quarter of the 20th century.

Pursuing the Masters’ Legacy explores the works of ceramic masters from Kütahya. This series of exhibition tours focuses on the second golden age of tile and ceramic production in Kütahya, spanning the late 19th and early 20th centuries. The period's ceramic art was significantly shaped by four masters: Hafız Mehmed Emin Efendi, Minas Avramidis, the brothers Artin and Garabet Minasyan, and David Ohannesyan. Their works are examined in detail, providing participants the opportunity to see pieces not displayed in the exhibition.

The 30-minute guided tour is free of charge, and the language is Turkish. The quota is limited. 
To join the tour, you can make a reservation by e-mailing at resepsiyon@peramuzesi.org.tr.

Temporary Exhibition

Coffee Break

Discovered in Ethiopia as the “magic fruit,” and reaching the land of the Ottomans through Yemen in the 15th century, coffee soon assumed its place as a prestigious beverage in the palace and wealthy households. 

Coffee Break

Transition to Sculpture

Transition to Sculpture

If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.

An Ottoman Ambassador and a French Bulldog at Covent Garden

An Ottoman Ambassador and a French Bulldog at Covent Garden

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.

Midnight Horror Stories: The Last Ferry <br> Galip Dursun

Midnight Horror Stories: The Last Ferry
Galip Dursun

I remembered a game as I was waiting in the passenger lounge for the ferry to arrive just a few minutes ago. A game we used to play at home when I was young, in my country that is very far away from here, a relic from the distant past; I don’t even remember how we used to play it. The kind of game that makes me feel a thousand times lonelier than I already am among the crowd waiting to get on the ferry.