You look nice in your hair!
Asa Jungnelius and Ahu Antmen

Talk

April 8, 2014 / 19:00

In conjunction with the exhibition Aurora: Contemporary Nordic Glass Art, Asa Jungnelius, a remarkable name from Sweden’s young generation of artists, will be in conversation with art critic Ahu Antmen. The conversation will focus on Nordic countries’ well-established contemporary glass art tradition and how it has evolved, alongside an examination of Asa Jungnelius’ work, which poses questions on identity, gender and consumer society.

The event will be held in English and will be simultaneously translated into Turkish. Free of admissions.



in collaboration

Temporary Exhibition

Aurora

The glass artists hailing from Northern European countries, presented us here in İstanbul with contemporary interpretations of glass, a material inherited from past cultures.

Aurora

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.

A Solitary Eagle in the Sinai Desert

A Solitary Eagle in the Sinai Desert

John Frederick Lewis is considered one of the most important British Orientalist artists of the Victorian era. Pera Museum exhibited several of Lewis’ paintings as part of the Lure of the East exhibition in 2008 organized in collaboration with Tate Britain.

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.