}

Owl's Frames

July 25 - August 31, 2008

Mimar Sinan Fine Arts University's Department of Photography, celebrated the 30th  anniversary of its inauguration, in 2008 at the Pera Museum. The exhibition comprised of a selection of photographs by 67 graduates.

The Institute of Photography epitomized the institutionalization of photography education in Turkey. Photography clubs had been established prior to the inauguration of the Institute and classes were offered in a number of other institutions; however, the implementation of a four-year undergraduate education in photography was only realized in 1978. Cafer Türkmen, one of the co-founders and first professors of the school, describes those years as follows: “Two hundred people applied to the program the first year. We were only able to admit fifteen. We began teaching in an old commercial building in Salıpazarı, behind the present-day location of The Department of Traditional Turkish Handicrafts. It was a three-storey building, accessed by 70-80 steps. We shared the same building with the Department of Traditional Turkish Handicrafts. The lowest floor was allocated to the inflammable film archives of the Institute of Cinema and Film, and also included a dormitory for the single employees of the school.” (Saliha Dıraman, Cafer Türkmen exhibition catalogue, 2002).

In the thirty-year-long period, the Department of Photography had over three hundred graduates. While this exhibition, as one of the reunion events of the Department’s 30th anniversary celebrations, commemorates the establishment of the institution as well as its alumni, it also shares with viewers the works of its graduates, who have been working professionally for many years in the field of photography.

Exhibition Catalogue

Owl's Frames

Owl's Frames

Mimar Sinan Fine Arts University's Department of Photography, founded on July 13th, 1978 as the Institute of Photography, under the auspices of İstanbul Fine Arts Academy, Department of...

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.

Marcel Duchamp’s Bicycle Wheel

Marcel Duchamp’s Bicycle Wheel

In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art. 

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.