}

Picasso

Suite Vollard Engravings

February 16 - April 18, 2010

Picasso: Suite Vollard Engravings exhibition presented renowned Spanish artist Pablo Picasso’s most important engraving series from the first half of the 20th century. The engravings were a result of the collaboration between Picasso and his close friend, an ardent admirer of his work, an extraordinary editor and also a famous art dealer of the period, Ambroise Vollard. Picasso’s loves; the model and the sculptor, nudity, portraiture and different mythological themes appear in these engravings where not only the topics but also the style and the technique provide insight into the artist’s creative universe of the time, the 1930s; when he was at the height of his artistic production.

Picasso: Suite Vollard, Engravings exhibition, one of the most marvellous series of engravings of all times belonging to the Fundación MAPFRE collection, was a collaboration between the Pera Museum, Fundación MAPFRE and Instituto Cervantes.

Exhibition Catalogue

Picasso

Picasso

Picasso: Suite Vollard Engravings exhibition catalogue presents renowned Spanish artist Pablo Picasso’s most important engraving series from the first half of the 20th century....

 Who Is Pablo Picasso?

Who Is Pablo Picasso?

Born on October 25, 1881 in Malaga, Spain, Pablo Picasso’s full name takes about two lines: Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Martyr Patricio Clito Ruíz y Picasso.

The Welcoming of Venetian Balios to Ottoman Lands

The Welcoming of Venetian Balios to Ottoman Lands

The series of paintings depicting the audience ceremonies of European ambassadors hold a unique place among the works of Jean-Baptiste Vanmour of Valenciennes, who lived in İstanbul from 1699 until his death in 1737.

Jean-Léon Gérôme: Cultural Interactions in the Age of Change

Jean-Léon Gérôme: Cultural Interactions in the Age of Change

Jean-Léon Gérôme is among the most renowned artists of the second half of the 19th century. One of the most fervent advocates of academic painting, Gérôme declared a personal war against modern movements such as Impressionism.