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Suna and İnan Kıraç Foundation Collection of Anatolian Weights and Measures

The Anatolian Weights and Measures Collection that Suna and İnan Kıraç began to create in the the 1980s has grown rapidly over the years with the purchase of pieces accumulated by some collectors as well as regular purchases from other sources both in Turkey and abroad, and now it is the most remarkable collection of its type in Turkey.

Today this collection consists of nearly a thousand objects utilized in Anatolia from prehistory to date. These comprise the main types of scales and measuring instruments used for measuring weight, length, and volume in a wide spectrum, extending from land measurement to commerce, from architecture to jewelry making and shipping to pharmacy. Illustrating as it does the relations  between measuring systems of different periods and regions, enabling us to follow the various changes and continuities,  the collection is a very valuable source of historical and scientific knowledge.

A broad selection focusing on the Islamic periods in Anatolia, but also including examples from other periods so as to show the full picture, is displayed in this gallery arranged in chronological order. Endeavour will be made to show pieces that it has not been possible to exhibit on this occasion at future thematic exhibitions from time to time, shedding light on this exciting aspect of Anatolian cultural history.

Unhomely!  <br>Lee Miller

Unhomely!
Lee Miller

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Niko Pirosmani

Niko Pirosmani

“A nameless Egyptian fresco, an African idol or a vase from Crete: we should behold Pirosmani’s art among them. Only this way it is possible to conceive it genuinely … …You see Pirosmani – you believe in Georgia”.
Grigol Robakidze