}

Wall, Arch, Dome

Byzantine Istanbul in the Eyes of Ottoman Photographers

April 13 - July 1, 2007

One of the most outstanding characteristics of İstanbul's Byzantine monuments, as captured by Ottoman photographers, is their role as priceless documents in the city's history. The period between the second half of the 19th century and the turn of the 20th century is marked by profound changes in İstanbul with respect to urban structure, historical texture and monuments. A careful eye readily notices the considerable transformations spread over a hundred / hundred and fifty years in İstanbul city walls, Galata Tower, Hagia Sophia and the Hippodrome area. These photographs are full of valuable clues for today's researchers, restorers, architectures and urban planners.

Nonetheless, there is something beyond the obvious in these images: İstanbul's remaining city walls, arches, and domes of a faraway past continue to survive in another form of existence in these old photographs, which reflect an age closer to us in time, yet just as rapidly vanished. The discolored surfaces permeating an indescribable sense of the old add another layer, another epoch to the historical richness of the city.

Comprised of a selection from the Suna and İnan Kıraç Foundation İstanbul Photographs Collection, Wall, Arch, Dome exhibition (much like From Konstantiniyye to İstanbul exhibition in late 2006) took us on a journey in a different time dimension. Yet, on this occasion, we find ourselves in a İstanbul more ancient, more distant than the Republican or Ottoman days; it is a Byzantine İstanbul of monuments, ruins and almost imperceptible traces from thousands of years past...

Exhibition Catalogue

Wall, Arch, Dome

Wall, Arch, Dome

One of the most outstanding characteristics of Istanbul's Byzantine monuments, as captured by Ottoman photographers, is their role as priceless documents in the city's history. The period between...

Midnight Stories: The Red Button <br> Funda Özlem Şeran

Midnight Stories: The Red Button
Funda Özlem Şeran

It was a quiet night in the dessert. Even the mice weren’t around. A few LEDs blinked in the dark, and the sound of a fan filled the infinite void. The conversation cutting the silence seemed to go nowhere.

The Welcoming of Venetian Balios to Ottoman Lands

The Welcoming of Venetian Balios to Ottoman Lands

The series of paintings depicting the audience ceremonies of European ambassadors hold a unique place among the works of Jean-Baptiste Vanmour of Valenciennes, who lived in İstanbul from 1699 until his death in 1737.

At The Well

At The Well

Tadeusz Ajdukiewicz discovered the Orient in 1877, touring Syria, Egypt, Turkey, and the Crimea with Władysław Branicki. This experience made a profound impression on him, and he was to continuously revisit Eastern themes in his works for the rest of his life.