The Fog: There’s something in the fog!

March 6, 2020

The series of screenings and talks collaboratively organized by Pera Film and Altyazı Cinema Association, curated by Yeşim Tabak, is named after the crucial line in John Carpenter’s supernatural suspense The FogThere’s something in the fog!”

This event is inspired by the zeitgeist- uncertainty, which leads to a state of anxiously waiting for something to happen. The unavoidable curiosity and the need to know what there is in the ‘Fog’ form a relevant basis for the talks that will probe into the classics in the history of cinema in conjunction with the nature of film analyzing exercises, which aim to bring out the hidden. Furthermore, as an aesthetic, narrative or symbolic visual element that filmmakers often resort to the ‘fog’ offers an open-ended area for new discoveries in cultural discourse. 

Scheduled on the first Friday of every month and composed of six films that approach the same concept from a different angle, each screening in this series will be followed by a conversation of cinema writers and artists, who have a special connection with the artistic attitude of that particular movie. 

Altyazı Sinema Derneği
Founded in 2001 by a group of students in Boğaziçi University, Altyazı is a cinema magazine published totally independently, without any affiliation to any media group. This very team founded Altyazı Cinema Association in March 2019, which has become the house for their work that covers a broad range of activities including publishing, screenings, interviews, cinema seminars and all other fields that contribute to cinema culture. 

Screening tickets are 10 TL (reduced museum admission). Tickets are available at Biletix. As per legal regulations, all our screenings are restricted to persons over 18 years of age, unless stated otherwise.

 

in collaboration

March 6

19:00 The Fog

The Fog

The Fog

History of a Khanjar

History of a Khanjar

Henryk Weyssenhoff, author of landscapes, prints, and illustrations, devoted much of his creative energies to realistic vistas of Belorussia, Lithuania, and Samogitia. A descendant of an ancient noble family which moved east to the newly Polonised Inflanty in the 17th century, the young Henryk was raised to cherish Polish national traditions.

Face to Face

Face to Face

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. 

The Golden Horn

The Golden Horn

When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.