Pera Film continues its Latin American journey with selected recent films from Argentina. Presented in collaboration with the Consulate General of Argentina in İstanbul, the selected four films produced from the last few years exemplify the ingrained rich film culture.
The cinema of Argentina, one of the most captivating and established cinemas of Latin America, boasts a long and productive history, a socially conscious, politically minded, engaging character and a constantly evolving nature. More recently, the recession at the beginning of the 21st century gave birth to novel and significant cinematic motivation, which in fact continued in the footsteps of the art-house wave that began in the 1990s with directors such as Lisandro Alonso, Lucrecia Martel, Martin Rejtman, and Pablo Trapero. Today, more than a decade later, the newest generation of Argentine filmmakers emerges.
In collaboration
December 18
19:00 The Water at the End of the World
December 21
14:00 Las acacias
16:00 The Last Elvis
December 22
14:00 Samurai
December 25
19:00 Las acacias
December 27
The Last Elvis
December 28
14:00 The Water at the End of the World
16:00 Samurai
December 18
19:00 The Water at the End of the World
December 21
14:00 Las acacias
16:00 The Last Elvis
December 22
14:00 Samurai
December 25
19:00 Las acacias
December 27
19:00 The Last Elvis
December 28
14:00 The Water at the End of the World
16:00 Samurai
Program Trailer
Pera Film continues its Latin American journey with selected recent films from Argentina. Presented in collaboration with the Consulate General of Argentina in İstanbul, the selected four films produced from the last few years exemplify the ingrained rich film culture.
A closer look at the life and works of the artist Barbara Kruger, who is represented with two striking works in the exhibition And Now The Good News, a selection of works from the Nobel Collection.
When Karl XII of Sweden was defeated by Tsar Peter the Great of Russia in 1709, he fled to the Ottoman Empire and settled in Bender with his entourage for five years.
When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.
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