Companionship As a Site of Resistance

June 24 - July 8, 2022

“One of the most vital ways we sustain ourselves is by building communities of resistance, places where we know we are not alone.” – bell hooks

Pera Film celebrates Pride Week with its film program entitled Companionship As a Site of Resistance.

In the program that brought together four films from different geographies, which met with the audience at important festivals in the past years, the theme of clinging to life together comes to the fore. All the queer characters in the films resist pressure and being stuck with the people they make friends with while trying to open up breathing spaces for themselves in the country, society and families they live in.

In the program that will take place between 24 June – 8 July; Young and Wild, who turned the unbridled and unbounded nature of adolescent sexuality into a destructive force; How the Room Felt, a documentary about a Georgian women's football club, consisting of a group of women and non-binaries who meet frequently to spend time together, to discuss existential issues; while revealing a story of self-discovery and emancipation, Swing Ride, which conveys an extraordinary friendship, and Three Tidy Tigers Tied a Tie Tighter, which tells a queer era where memories are only shared collectively. 

This program’s screenings are free admissions. Drop in, no reservations. As per legal regulations, all our screenings are restricted to persons over 18 years of age, unless stated otherwise.

June 24

20:00 Young and Wild

June 25

15:00 How the Room Felt

June 29

19:00 Three Tidy Tigers Tied a Tie Tighter

July 1

19:00 Swing Ride

21:00 Young and Wild

July 6

19:00 How the Room Felt

July 8

19:00 Swing Ride

21:00 Three Tidy Tigers Tied a Tie Tighter

Young and Wild

Young and Wild

How the Room Felt

How the Room Felt

Swing Ride

Swing Ride

Three Tidy Tigers Tied a Tie Tighter

Three Tidy Tigers Tied a Tie Tighter

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development. 

Modernity Building the Modern / Reshaping the Modern

Modernity Building the Modern / Reshaping the Modern

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.