Pera Film presents its latest film program digital, curated with the exhibition Calculations and Coincidences.
The exhibition highlights the works of pioneers in algorithmic art —Vera Molnár, Dóra Maurer, and Gizella Rákóczy— with a special focus on Molnár's pioneering contributions to computer art. Molnár began incorporating computers into her creative process in 1968, using them as tools to generate images that pushed the boundaries of science and art.
That same year, cinema released 2001: A Space Odyssey, a seminal work of the science fiction genre. Directed by visionary filmmaker Stanley Kubrick, the film examined the profound implications of technology on humanity and the future, revolutionizing cinematic language and expanding the limits of storytelling.
By 1973, director Rainer Werner Fassbinder brought his vision of the future to German television with the two-part mini-series World on a Wire. Offering a surreal, satirical take on virtual reality and the human condition, it presented a striking contrast to traditional depictions of futuristic worlds. Later, in the 1980s, Ridley Scott's Blade Runner redefined science fiction cinema with its innovative use of technology and complex exploration of identity, laying the groundwork for decades of cinematic influence.
These three science fiction classics, which reflect the growing influence of technology in cinema when Molnár began her computer-based art, will be screened from November 22 to December 22 at the Pera Museum Auditorium. The program also features the documentary Vera Molnár, plaisir de géométrie, offering an in-depth look at Molnár's artistic process, and the short documentary Gizella Rákóczy: Exploring the Depth, focused on Rákóczy's explorations in art.
Film screenings within this program are accessible with a discounted museum entrance ticket. Tickets can be purchased from Biletix or the reception of Pera Museum. Per legal regulations, all screenings are restricted to persons over 18 years of age unless stated otherwise.
November 22
19:00 Vera Molnár, plaisir de géométrie
Gizella Rákóczy: Exploring the Depth
November 23
15:00 World on a Wire
November 27
19:00 2001: A Space Odyssey
December 1
15:00 Vera Molnár, plaisir de géométrie
Gizella Rákóczy: Exploring the Depth
December 11
19:00 Blade Runner
December 13
18:30 World on a Wire
December 21
15:00 2001: A Space Odyssey
December 22
15:00 Blade Runner
November 22
19:00 Vera Molnár, plaisir de géométrie
Gizella Rákóczy: Exploring the Depth
November 23
15:00 World on a Wire
November 27
19:00 2001: A Space Odyssey
December 1
15:00 Vera Molnár, plaisir de géométrie
Gizella Rákóczy: Exploring the Depth
December 11
19:00 Blade Runner
December 13
18:30 World on a Wire
December 21
15:00 2001: A Space Odyssey
December 22
15:00 Blade Runner
Calculations and Coincidences brought together three pioneers of algorithmic art—Vera Molnár, Dóra Maurer, and Gizella Rákóczy—through their works from the Hungarian National Bank Collection. The exhibition focused primarily on the profound influence of Molnár, who was unquestionably among the most significant names in computer art while tracing how the artistic explorations of Maurer and Rákóczy expanded the boundaries of abstraction through the integration of algorithms and mathematics.
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.
When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)