I’m Here!

December 1 - 7, 2023

Pera Film's annual I'm Here! film program, initiated in observance of World AIDS Day, this year hosts the screenings of the video collection Everyone I Know is Sick, curated by the contemporary art organization Visual AIDS.

Everyone I Know is Sick presents a selection of five videos by artists working around the world who make connections between HIV and other forms of illness and disability. Inspired by a statement in Cyrée Jarelle Johnson's book “Black Futures”, Everyone I Know Is Sick examines how our society excludes disabled and sick people through a false health-disease dichotomy. The program inviting us to understand disability as a shared experience rather than an exception to the norm highlights a range of experiences spanning HIV, COVID, mental health, and aging.

This program’s screenings are free admission. Drop in, no reservations. As per legal regulations, all our screenings are restricted to persons over 18 years of age, unless stated otherwise.

December 1

20:00 Heart Murmurs

That Child with AID$

This Bed I Made

Old Man/Sick Man/Shout

Losing the Light

December 7

19:00 Heart Murmurs

That Child with AID$

This Bed I Made

Old Man/Sick Man/Shout

Losing the Light

Heart Murmurs

Heart Murmurs

That Child with AID$

That Child with AID$

This Bed I Made

This Bed I Made

Old Man/Sick Man/Shout

Old Man/Sick Man/Shout

Losing the Light

Losing the Light

Mosques in the 18th and 19th Century Paintings

Mosques in the 18th and 19th Century Paintings

In the works of western painters, we encounter mosques as the primary architectural elements that reflect the identity of the city of Istanbul. Often we can recognize the depicted landscape as Istanbul simply from the mosques. 

A Photographer’s Biography Ali Sami Aközer

A Photographer’s Biography Ali Sami Aközer

Ali Sami is born in Rusçuk in 1866, and moves to İstanbul. Because his family is registered in the Beylerbeyi quarter of Üsküdar, Ali Sami is also called Üsküdarlı Ali Sami. He graduates from the Mühendishane-i Berri-i Hümayun in 1866 and becomes a teacher of painting and photography at the school.

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.