Pera Film's annual I'm Here! film program, initiated in observance of World AIDS Day, this year hosts the screenings of the video collection Everyone I Know is Sick, curated by the contemporary art organization Visual AIDS.
Everyone I Know is Sick presents a selection of five videos by artists working around the world who make connections between HIV and other forms of illness and disability. Inspired by a statement in Cyrée Jarelle Johnson's book “Black Futures”, Everyone I Know Is Sick examines how our society excludes disabled and sick people through a false health-disease dichotomy. The program inviting us to understand disability as a shared experience rather than an exception to the norm highlights a range of experiences spanning HIV, COVID, mental health, and aging.
This program’s screenings are free admission. Drop in, no reservations. As per legal regulations, all our screenings are restricted to persons over 18 years of age, unless stated otherwise.
December 1
20:00 Heart Murmurs
That Child with AID$
This Bed I Made
Old Man/Sick Man/Shout
Losing the Light
December 7
19:00 Heart Murmurs
That Child with AID$
This Bed I Made
Old Man/Sick Man/Shout
Losing the Light
December 1
20:00 Heart Murmurs
That Child with AID$
This Bed I Made
Old Man/Sick Man/Shout
Losing the Light
December 7
19:00 Heart Murmurs
That Child with AID$
This Bed I Made
Old Man/Sick Man/Shout
Losing the Light
Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.
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Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 100 TL
Discounted: 50 TL
Groups: 80 TL (minimum 10 people)
