I’m Here!

December 1 - 15, 2021

Pera Film once again presents its World AIDS Day-special film screening event: I’m Here!

The program, set to take place between December 1 and December 15, will welcome its audience for the screening of a collection of seven short films curated by Visual AIDS, a contemporary art organization committed to raising awareness on AIDS/HIV issues, to emphasize the community care strategies in the ongoing HIV epidemic, as well as Tongues Untied, a groundbreaking 1989 documentary on black gay life by Emmy-winning director Marlon T. Riggs; I Bleed, an animation film inspired by a true story telling the intimate confession of a person living with HIV; and Playback, a striking documentary which premiered at the Berlin Film Festival and depicts how the struggle against AIDS and police violence was fought on the same front in Argentina in the late 1980s.

This program’s screenings are free admissions. Drop in, no reservations. As per legal regulations, all our screenings are restricted to persons over 18 years of age, unless stated otherwise.

 

December 1

19:00 Enduring Care

December 8

19:00 Enduring Care

December 10

19:30 I Bleed

Playback

Tongues Untied

December 15

19:00 I Bleed

Playback

Tongues Untied

Enduring Care

Enduring Care

I Bleed

I Bleed

Playback

Playback

Tongues Untied

Tongues Untied

Soothsayer Serenades I Two-handed by Kübra Uzun

Soothsayer Serenades I Two-handed by Kübra Uzun

Today we are thrilled to present the first playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Two-handed is presented by Kübra Uzun on Pera Museum’s Spotify account.

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End). 

Midnight Stories: The Soul <br> Aşkın Güngör

Midnight Stories: The Soul
Aşkın Güngör

The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.