Special Screening: Censor

August 6 - 7, 2022

Pera Film presents Censor, a special screening parallel to the exhibition, And Now the Good News opened in April at Pera Museum.

Taking the newspaper as an intellectual starting point, And Now the Good News focuses on the relationship between text and news, the ways in which the invention of photography shaped society, and the powerful effect totalitarian systems have on mass media. Besides that, set in the 1980s, at a time when the media's exaggerated debate about the impact of violent videos on society was at its height, Censor tells the story of Enid as she tries to dissolve the line between fiction and reality.

Praised by Heavyhorror.com with the words "surreal and striking as well as strangely disturbing" and drawing attention with its innovative language, Censor is at Pera Film on 6 and 7 August!

Free admissions. Drop in, no reservations. As per legal regulations, all our screenings are restricted to persons over 18 years of age, unless stated otherwise.

August 6

17:00 Censor

August 7

17:00 Censor

Censor

Censor

Program Trailer

Special Screening: Censor

Pera Film presents Censor, a special screening parallel to the exhibition, And Now the Good News opened in April at Pera Museum.

 

And Now the Good News

Focusing on the relationship between mass media and art, the exhibition entitled And Now the Good News brings together a comprehensive selection of works from the Annette and Peter Nobel Collection.

And Now the Good News

Ottoman Music and Entertainment from the Perspective of Painters

Ottoman Music and Entertainment from the Perspective of Painters

When we examine the Ottoman-themed paintings of indoor everyday life by western painters, musical entertainment attracts attention as a fundamental aspect of the lifestyle.

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

A Photographer’s Biography Pascal Sebah

A Photographer’s Biography Pascal Sebah

Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.