Mid-term Workshops

November 16 - 21, 2021

Pera Museum Learning Programs presents Mid-term Workshops for ages 7-12 on November 16-21, in parallel with the collection exhibitions at the Suna and İnan Kıraç Foundation Pera Museum.

Following a guided online 3D tour of the Intersecting Worlds: Ambassadors and Painters, Coffee Break and The Art of Weights and Measures exhibitions, the workshops allow participants between the ages of 7 and 12 to use their inspiration from the exhibitions and tap into their creativity through painting and design, working with various materials such as watercolor, acrylic paint, clay dough and chenille.

For further details: ogrenme@peramuzesi.org.tr

Admissions free, reservation required.
The event will be held via the Zoom Meeting app.
After the event, participants will receive a certificate of participation via e-mail.
 

Capacity: 60 participants

November 16

14:00 Istanbul’s Future Skyline

November 17

14:00 Cup Made out of Dough

November 18

14:00 Aerial Balance Design

November 19

14:00 Istanbul’s Future Skyline

November 20

14:00 Cup Made out of Dough

November 21

14:00 Aerial Balance Design

Istanbul’s Future Skyline
Ages 7-12

Istanbul’s Future Skyline

Cup Made out of Dough
Ages 7-12

Cup Made out of Dough

Aerial Balance Design
Ages 7-12

Aerial Balance Design

Nudes With Mirrors

Nudes With Mirrors

Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet. 

History of a Khanjar

History of a Khanjar

Henryk Weyssenhoff, author of landscapes, prints, and illustrations, devoted much of his creative energies to realistic vistas of Belorussia, Lithuania, and Samogitia. A descendant of an ancient noble family which moved east to the newly Polonised Inflanty in the 17th century, the young Henryk was raised to cherish Polish national traditions.

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.