Creative Awareness and Visual Literacy: Reading a Picture

Pera Adult

  • February 28, 2025 / 19:00

Every painting has a message to convey. Paintings hold multiple layers of meaning, including the artist's thoughts, emotions, historical events, or ideas related to a subject. In this workshop, participants will acquire knowledge of visual literacy - one way to be present in the moment. While exploring various works in the museum, they will learn the distinction between simply looking and truly seeing. Through this experience, they will gain the ability to view from different perspectives, develop empathy and connection, and appreciate the creativity and potential of humanity.

Instructor: Umut Nur Sungur
Capacity: 15 people
Duration: 90 minutes
Fee per workshop: 400 TL

The event will take place at the Pera Museum.

About Umut Nur Sungur
Umut Sungur is currently pursuing her education in the Plastic Arts and Painting Master's program at Yeditepe University Faculty of Fine Arts. In December 2019, she took part in the 9th “All Woman” online art competition, where her work was chosen for exhibition and she received the “special recognition” award. She has been involved in numerous group exhibitions and has held 2 solo exhibitions. Umut also gives speeches and workshops on the role and importance of art in our lives, both nationally and internationally, and writes art columns for various media outlets. In 2021, she opened the “Umutlu Şeyler Culture and Art Corner” in Istanbul, where she continues her creative work.

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History of a Khanjar

History of a Khanjar

Henryk Weyssenhoff, author of landscapes, prints, and illustrations, devoted much of his creative energies to realistic vistas of Belorussia, Lithuania, and Samogitia. A descendant of an ancient noble family which moved east to the newly Polonised Inflanty in the 17th century, the young Henryk was raised to cherish Polish national traditions.

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.