Creativity Diary

School Groups
Middle School

Face-to-Face

Do you keep a diary? Do you mostly write or draw in your diary? We will take inspiration from the art diaries in the exhibition, which were created with writing, illustration and collage techniques, and design notebooks with paper and various paint materials to express our thoughts and feelings. Then, we record daily events, dreams and feelings in our diary by using methods of artistic expression such as drawing and painting. In the workshop where we explore methods of visual expression, we use our imagination and creativity and improve our cognitive and emotional intelligence.

Materials
Drawing paper or A4 paper (2 pcs.)
Drawing pencils
Scissor
Glue
Pailette, beads (optional) 

Weekday Online Learning Program
Tuesday, Wednesday, Thursday, Friday 

10:00-10:30
10:45-11:15
11:30-12:00  

Guided Online Tour and Workshop participation fee per person for private schools: 6 TL
Online Guided Tours and Workshops are free of charge for public schools.
 

Reservation is required for groups, which should include no less than 10 and no more than 60 participants. After the reservation is confirmed, the workshop link will only be sent to the e-mail address used for registration.

Related Exhibition: Confrontation

 

loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...
loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...
loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...

A Photographer’s Biography Guillaume Berggren

A Photographer’s Biography Guillaume Berggren

Berggren acquires the techniques of photography in Berlin and holds different jobs in various European cities before arriving in İstanbul. Initially en route to Marseille, he disembarks from his ship in 1866 and settles in İstanbul, where he is to spend the rest of his life.

A Photographer’s Biography Pascal Sebah

A Photographer’s Biography Pascal Sebah

Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.