Istanbul in my Memory

Teachers

  • April 26, 2023 / 19:30

Teachers experience the exhibition online with a guide and think about life in Istanbul through the eyes of the artists, the transformation of Istanbul and being an Istanbulite. In the workshop, they depict Istanbul with images of the past, present and future by talking about the stories of this city through the changes due to the topographical, demographic and cultural diversity that have taken place in Istanbul throughout history.

Materials
Old magazines or newspapers
Drawing paper Cardboard
Colored paints
Markers
Pencils
Glue
Scissors

Related Exhibition: Istanbuls Today 

Instructor: Filiz Kara Bilgin
Capacity: 50 participants
Duration: 75 minutes

At the end of the event, participants will receive a certificate by e-mail. For events held on the Zoom Meeting application, the online guided exhibition tour will be followed by an exhibition-themed workshop.

Your camera and microphone must be turned on in order for the instructor to see the participants and give personalized instructions. Every participant who is registered is considered to have accepted these conditions.

The event is free-of-charge, but reservation is required.
For more information: ogrenme@peramuzesi.org.tr

Our quota is full, thank you for your interest.

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Nudes With Mirrors

Nudes With Mirrors

Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet. 

History of a Khanjar

History of a Khanjar

Henryk Weyssenhoff, author of landscapes, prints, and illustrations, devoted much of his creative energies to realistic vistas of Belorussia, Lithuania, and Samogitia. A descendant of an ancient noble family which moved east to the newly Polonised Inflanty in the 17th century, the young Henryk was raised to cherish Polish national traditions.

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.