Istanbul Landscape with Coding

Pera Adult

  • February 22, 2024 / 19:30

Can you code Istanbul? The silhouette of Istanbul holds many stories. Everyone looking at the same panorama will see a different story, imagining a distinct Istanbul. But what would this panorama look like if we drew it with code? In the online workshop, participants experiment with drawing geometric shapes using different codes given to them.

Note: Participants are not expected to have prior programming knowledge. The p5.js programming language will be used online, and there is no need for participants to install any programs on their tablets or computers.

Instructor: Tuğçe Bilgin Sonay
Capacity:
20 people
Duration: 90 minutes
Fee per workshop: 150 TL

The event will take place online via Zoom.
For more information: ogrenme@peramuzesi.org.tr

 

About Tuğçe Bilgin Sonay After completing her Ph.D. in computational biology, she became an instructor at Columbia University in New York. Apart from coding, science, and yoga classes, she also teaches creative coding at Pratt Institute, one of the world's leading art schools.

loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...

Mersad Berber

Mersad Berber

Mersad Berber was born in Bosanski Petrovac, Kingdom of Yugoslavia, on January 1st. He was the first son of Muhammed Berber and Sadika Berber, a well-known weaver and embroiderer. A year later, the family moved to Banja Luka after the city had suffered damage from the World War II.

The Horse Figure in Mersad Berber’s Works

The Horse Figure in Mersad Berber’s Works

Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.

The Chronicle of Sarajevo

The Chronicle of Sarajevo

Inspired by the great European masters, from Renaissance to Art Nouveau, Berber’s works exemplify the deep, opaque whites of his journeys through the fairy tale landscapes of Bosnia to the dark, macabre burrows of Srebrenica.