Online | Istanbuls Today Exhibition Tour

Teachers

Teachers who tour the Istanbuls Today exhibition with a 3D online guided tour to learn about the recent unexhibited works of 11 photographers living in Istanbul, who produce in different styles and offer a layered and innovative perspective on Istanbul's present. Also, participants discover new ways to give their students efficient tours of the exhibition and activities for different age groups.

Duration: 40 minutes

Related Exhibition:  Istanbuls Today

The event that will take place via the Zoom Meeting application is free.
At the end of the event, a certificate of participation will be sent to the participants via e-mail.
Groups of at least 10 and maximum 80 people and reservations are required.

For detailed information and reservation: ogrenme@peramuzesi.org.tr

Click to sign up for the e-newsletter.

loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...
loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...
loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...
loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...

History of a Khanjar

History of a Khanjar

Henryk Weyssenhoff, author of landscapes, prints, and illustrations, devoted much of his creative energies to realistic vistas of Belorussia, Lithuania, and Samogitia. A descendant of an ancient noble family which moved east to the newly Polonised Inflanty in the 17th century, the young Henryk was raised to cherish Polish national traditions.

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.