After visiting PƎRⱯ Reverse, the participants rethink the collective urban memory, which is characterized by textures, images and the different associations that all these create in everyone's mind. Participants are first invited to walk around the museum, paying attention to elements of memory that might otherwise be overlooked. After photographing architectural details and textures that reflect the identity, language and colors of the region, the participants return to the workshop area and make a texture collage on a pre-prepared plan map.
Instructor: Arek Qaddra, Beste Kopuz
Capacity: 10 people
Duration: 180 minutes
Fee per workshop: 300 TL
The event will take place at the Pera Museum (face-to-face).
For more information: ogrenme@peramuzesi.org.tr
About Arek Qadrra
In 2015, he participated in the exhibitions “Locality and Global Discourse” (California Arts Academy - USA) and “Locality and Global Discourse” (Cumhuriyet Museum - Istanbul). Later, he took part in various group exhibitions in Europe, such as Mannheim’s “CAPTCHA Design Festival”. After BASE 2017, he participated in "Living Space Photography Workshop” (GAPO-SALT - Istanbul), "Country of Dreams Troia” (Çanakkale Piri Reis Museum) in 2018, “Country of Dreams Troia” (Darphane-i Amire - Istanbul), “Wall Paper Scissors” (Space Debris Art - Orjin Gallery), ”Gallery Space+D” (Digilogue), “Sonar Istanbul” (Zorlu PSM), "Finding Healing in Istanbul” (Karşı Art Works - Yaklaşım Tüneli Taksim). Starting from the concepts of universe, metaphysics and, in this context, city and life, the artist continues his contemporary artworks in a multidisciplinary style with conceptual art, media art, painting, photography and installations in Istanbul.
About Beste Kopuz
The artist, who produces in a multidisciplinary style, focuses on the city’s history, the memory of the place, and the layered network of relations established with the place by conducting archival studies. The artist believes that one of the most important features of cities is that they cannot be completely destroyed and, in any case, have traces of their pastThe artist, who believes that one of the most important features of cities is that they cannot be completely destroyed and in any case have traces of their past. In her productions, she looks for these traces in the city and questions the re-creation of the old with the new. Her studies wereas exhibited in both local and international platforms such as Mamut Art Project 2017, BASE 2017, CAPTCHA Design Festival, Mixer, Space Debris, and Şehre BAK. In November 2019, she opened her first personal exhibition titled "Kazıklıköy" at Versus Art Project. She joined the Istanbul Architecture and Urbanism Research Academy in 2020, and the Istanbul Biennial Work and Research Program in 2022. She lives in Istanbul and continues her postgraduate education at Hacettepe Fine Arts Institute painting department.
As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations?
In his book exploring the cultural history of souvenirs, Rolf Potts discusses how such objects assume meaning through personal stories: Objects turn into memories with the stories they hold.
Objects also bear the memory of the geography to which they relate. Ceramics, with soil as their primary material, are directly linked to the land where they are produced: forging a direct relationship with earth, ceramics bear the memory of the soil where they come from.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 200 TL
Discounted: 100 TL
Groups: 150 TL (minimum 10 people)
