Save the Legacy

Pera Adult
.

  • March 10, 2023 / 19:00
  • March 10, 2023 / 20:30
  • March 15, 2023 / 19:00
  • March 15, 2023 / 20:30
  • April 19, 2023 / 19:00

Pera Museum Learning Programs is organizing an online escape game series based on collection exhibitions.

In 2105, Artificial Intelligence, which is in control of humanity, realizes that creativity makes humans superior and plans a sabotage that will destroy all works of art and historical heritage. The future's people have sent a message to the past through the codes of Artificial Intelligence and have warned today's people against this danger. What needs to be done now is to overcome the firewall created by Artificial Intelligence using museum information and to achieve a free future.

Related Exhibitions: Intersecting Worlds: Ambassadors and Painters, Coffee Break, Osman Hamdi Bey, the Art of Weights and Measures

Game Master: Escapist
Age: 18+
Capacity: 50 people
Duration: 60 minutes

The event is free of charge. Reservation is required. The event will take place on the Zoom Meeting application under the guidance of a game master. Your camera and microphones must be kept open. This event is supported by the Erasmus+ Programme.

For more information: ogrenme@peramuzesi.org.tr

 

 

Our quota is full, thank you for your interest.

loading ... Loading...
loading ... Loading...
loading ... Loading...
Loading ...

A Photographer’s Biography Guillaume Berggren

A Photographer’s Biography Guillaume Berggren

Berggren acquires the techniques of photography in Berlin and holds different jobs in various European cities before arriving in İstanbul. Initially en route to Marseille, he disembarks from his ship in 1866 and settles in İstanbul, where he is to spend the rest of his life.

A Photographer’s Biography Pascal Sebah

A Photographer’s Biography Pascal Sebah

Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.

Midnight Stories: COGITO <br> Tevfik Uyar

Midnight Stories: COGITO
Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.