Seeds of Stories: Family Tales

Pera Adult

  • September 1, 2023 / 19:00

Inspired by the artist Isabel Muñoz's belief in the power of photography to tell "untold stories", this workshop explores the roots of storytelling as Muñoz herself tampers with the mysteries from and around Göbeklitepe. Participants reflect on different dynamics of writing and storytelling, drawing upon the stories and folktales traditionally told in families and memories from the family's past. They are invited to become the narrators of their own stories, breathing life into their constructed narratives while preserving the essential functions of family stories.

Note: Participants are encouraged to think of a family story they have heard, a fairy tale told in the past, or bring a family heirloom object or an old family photograph to the workshop.

Instructors: Ekin Can Göksoy & Mete Özel
Capacity: 10 people
Duration: 90 minutes
Fee per workshop: 200 TL

The event will take place at the Pera Museum (face-to-face).

For more information: ogrenme@peramuzesi.org.tr

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History of a Khanjar

History of a Khanjar

Henryk Weyssenhoff, author of landscapes, prints, and illustrations, devoted much of his creative energies to realistic vistas of Belorussia, Lithuania, and Samogitia. A descendant of an ancient noble family which moved east to the newly Polonised Inflanty in the 17th century, the young Henryk was raised to cherish Polish national traditions.

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.