The Future in the Past

Pera Kids
Ages 7-8

  • April 21, 2024 / 11:00

In collaboration with Pera Museum Learning Programs and Contemporary Drama Association, we are celebrating April 23 National Sovereignty and Children's Day with creative drama workshops! Suitable for children aged 7-8, this workshop engages children in experiencing creative drama methods on the exhibition floor and actively involves them in social-emotional learning processes. Following this playful experience, participants head down to the workshop floor to create a design with various materials which will remind them of today in the future.

Instructor: ÇDD
Capacity: 15 people
Duration: 105 minutes

The event will take place at the Pera Museum (face-to-face).
For more information: ogrenme@peramuzesi.org.tr

in collaboration with

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About Çağdaş Drama Derneği (ÇDD)
Contemporary Drama Association - Istanbul has been active since 1998. ÇDD Istanbul is dedicated to researching the use and expansion of the field known as drama in education, creative drama, and/or drama as an independent subject, science, research area, and method; in education, theater, social and cultural life, and all fields of science and art. It aims to investigate the interdisciplinary relationships of creative drama, striving for its development, to train qualified drama instructors, and to collaborate with relevant institutions and organizations on the competency of professionals in the field, working towards achieving international standards in creative drama.

Our quota is full, thank you for your interest.

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At the Order of the Padishah

At the Order of the Padishah

In this piece, Żmurko presents an exotic image of a harem chamber, replete with gleaming fabrics and scattered jewels, as a setting for the statuesquely beautiful body of an odalisque murdered “at the order of the padishah”. 

The Battle of Varna

The Battle of Varna

Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms. 

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.