Anatolian Weights and Measures Collection

Suna and İnan Kıraç Foundation Anatolian Weights and Measures Collection is comprised of almost ten thousand objects dating from prehistory to those used in present day Anatolia. Formed by Suna and İnan Kıraç as early as the 1980s, the collection provide a rich selection of the material culture of the various civilizations lived in Anatolia. Being home to objects used for measuring weight, length, and volume in every field, from land measurement to commerce, architecture to jewellery making, shipping to pharmacy, the collection aims to look at the rich culture of the Anatolia from an historical point of view.

Orientalist Painting Collection

Orientalist Painting Collection

Anatolian Weights and Measures Collection

Anatolian Weights and Measures Collection

Kütahya Tiles and Ceramics Collection

Kütahya Tiles and Ceramics Collection

The adventure of the Big ‘K’

The adventure of the Big ‘K’

In a bid to review the International System of Units (SI), the International Bureau of Weights and Measures gathered at the 26th General Conference on Weights and Measures on November 16, 2018. Sixty member states have voted for changing four out of seven basic units of measurement. The kilogram is among the modified. Before describing the key points, let us have a closer look into the kilogram and its history.

A Solitary Eagle in the Sinai Desert

A Solitary Eagle in the Sinai Desert

John Frederick Lewis is considered one of the most important British Orientalist artists of the Victorian era. Pera Museum exhibited several of Lewis’ paintings as part of the Lure of the East exhibition in 2008 organized in collaboration with Tate Britain.

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.