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From Konstantiniyye to Istanbul

Photographs of the Anatolian Shore of the Bosphorus from the mid XIXth Century to XXth Century

January 21 - April 1, 2012

The exhibition featured works by masters of photography, who practiced their art in Iİstanbul from the end of the XIXth to the early years of the XXth century. Comprised from a selection of photographs from the Suna and İnan Kıraç Foundation Photography Collection and from private collections, it revealed the magnificent structures, daily life and intriguing personalities of an Iİstanbul past. Iİstanbul has evolved into an industrial city, an enormous metropolis: its silhouette, architecture, vehicles, bridges, quays, streets and public spaces have attained an entirely different appearance. Masters such as Ali Sami Aközer, Félice Beato, Guillame Berggren, Abdullah Biraderler, Gülmez Biraderler, Ernest Edouard de Caranza, Sebah & Joaillier, Maurice Meys, Ali Enis Oza, James Robertson and Elisa Pante Zonaro document the nostalgic images of the city during their time, taking us on a pleasurable journey through the photographs they took in the difficult and challenging techniques of the time.

Exhibition Catalogue

From Konstantiniyye to İstanbul

From Konstantiniyye to İstanbul

The exhibition catalogue showcases works by masters of photography, who practiced their art in Istanbul from the end of the XIXth to the early years of the XXth century....

Video

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Cameria (Mihrimah Sultan)

Cameria (Mihrimah Sultan)

Based on similar examples by the European painters in various collections, this work is one of the portraits of Mihrimah Sultan, who was depicted rather often in the 16th century.

Chlebowski’s Sultan

Chlebowski’s Sultan

This is one of Stanisław Chlebowski’s larger canvasses dealing with themes other than battles; only Ottoman Life at the Sweet Waters now at the Istanbul Military Museum can compare with it in size.