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Osman Hamdi Bey and the Americans

Archaeology | Diplomacy | Art

October 15, 2011 - January 8, 2012

Based on the intersecting lives of painter, archaeologist and museologist Osman Hamdi Bey, American archaeologist and photographer John Henry Haynes, as well as Prof. Hermann Vollrath Hilprech, the exhibition focused on the first excavations American archaeologists conducted in Ottoman lands -Assos and Nippur- and the diplomatic relations between the two countries.

The exhibition, curated by Prof. Renata Holod and Prof. Robert Ousterhout from the University of Pennsylvania, showcased for the first time a rich selection of paintings by Osman Hamdi Bey, archaeological photographs and drawings from the 19th century, letters, travel journals, and archaeological artifacts. This unique selection was on loan from the University of Pennsylvania, Fine Arts Museum Boston, İstanbul Archaeological Museums, İstanbul Museum of Painting and Sculpture, as well as private collections. Apart from his lesser-known paintings, two unknown works of Osman Hamdi Bey discovered at the Penn Museum were also introduced to visitors.

Exhibition Catalogue

Osman Hamdi Bey and the Americans

Osman Hamdi Bey and the Americans

Based on the intersecting lives of painter, archaeologist, and museologist Osman Hamdi Bey, American archaeologist and photographer John Henry Haynes, as well as Prof. Hermann Vollrath Hilprecht,...

Video

Soothsayer Serenades I Beautiful People by Sarp Dakni

Soothsayer Serenades I Beautiful People by Sarp Dakni

Today we are thrilled to present the second playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. 

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’. 

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.