New German Animation: Part I

  • April 14, 2015 / 13:30

WIND
Director: ROBERT LÖBEL / Germany / 2012 / 4’ / 2D

AN ADVENTUROUS AFTERNOON
Director: INES CHRİSTİNE GEİSSER, KİRSTEN CARİNA GEİSSER / Germany / 2013 / 5’ / Ink animation, 2D, computer animation

BOLES
Director: SPELA CADEZ / Slovenya, Slovenia, Germany / 2013 / 13’ / puppets

VIRTUOSO VIRTUAL
Director: THOMAS STELLMACH, MAJA OSCHMANN / Germany / 2013 / 6’ / India ink, 2D, Computer

WALK THE DOG
Director: SONJA ROHLEDER / Germany / 2014 / 3’ / Cutout

PATCH
Director: GERD GOCKELL / İsviçre, Switzerland, Germany / 2014 / 3’ / StopMotion

NUGGETS
Director: ANDREAS HYKADE / Germany / 2014 / 6’ / 2D Computer

MANY A TİME
Director: ANDREAS HELL / Germany / 2014 / 15’ / Shadowplay

UTOE
Director: DAVID BUOB / Germany / 2014 / 8’ / Aquarelle

MİCKİ
Director: ALEXANDER LAHL, IZABELA PLUCIŃSKA / Germany / 2014 / 6’ / Kil Clay

WHODUNNIT
Director: JIM LACY / Germany / 2014 / 7’ / After Effects

HIDDEN TRACK
Director: ELISABETH ZWIMPFER / Germany / 2013 / 6’ / Stop Motion, Cut Out, Experimental, 2D, Computer

OVER YOU
Director: VOLKER SCHLECHT, ALEXANDRA KARDINAR / Germany / 2012 / 3’ / pencil on paper

LAMBS
Director: GOTTFRIED MENTOR / Germany / 2014 / 5’ / 3D Computer animation

İdil Biret: The Portrait of a Child Prodigy

İdil Biret: The Portrait of a Child Prodigy

New German Animation: Part I

New German Animation: Part I

New German Animation: Part 2, Children's Animation Films

New German Animation: Part 2, Children's Animation Films

Happy Republic Day!

Happy Republic Day!

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humorous eye over ‘historical’ events, both imagined and factual.

The Conventions of Identity

The Conventions of Identity

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.

Midnight Stories: The Red Button <br> Funda Özlem Şeran

Midnight Stories: The Red Button
Funda Özlem Şeran

It was a quiet night in the dessert. Even the mice weren’t around. A few LEDs blinked in the dark, and the sound of a fan filled the infinite void. The conversation cutting the silence seemed to go nowhere.