İdil Biret: The Portrait of a Child Prodigy

  • April 8, 2015 / 17:00
  • April 8, 2015 / 19:00

Director: Eytan İpeker / DOP: Ercan Gümüş, Atilla Yüksel / Editor: Eytan İpeker / With: İdil Biret, Şefik Büyükyüksel, Claude Samuel, Nevit Kodallı, Özden Toker İnönü, Remy Stricker / Producer: Yoel Meranda / Production Co.: Böcek Yapım, Kamara / World Sales: Kamara / Turkey / 2015 / DCP / Colour / 56’ / Turkish, French, English, German; English & Turkish s.t.

Idil Biret was five-years-old when she played the piano to the Turkish President İsmet İnönü. Two years later, the parliament passed "Idil’s Law" which allowed her to study in Paris. Away from her friends, in an alien city, she was now studying under strict supervision. Her path crossed with legendary pianists of the time, such as Arthur Rubinstein, who later recalled, "The first time I heard her play, it brought tears to my eyes". And yet, Biret dreamt of running away from everything, becoming free again. Today, as we listen to her atonal improvisations, Idil Biret’s unique energy still retains its mystery. "Our aim was the make a personal and intimate character study of Idil Biret. Perhaps the small sculptures and paintings of cats that filled her house was the clue. Cats that look around them with curiosity and distance..." – Eytan İpeker

With the participation of İdil Biret

İdil Biret: The Portrait of a Child Prodigy

İdil Biret: The Portrait of a Child Prodigy

New German Animation: Part I

New German Animation: Part I

New German Animation: Part 2, Children's Animation Films

New German Animation: Part 2, Children's Animation Films

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End). 

Midnight Stories: The Soul <br> Aşkın Güngör

Midnight Stories: The Soul
Aşkın Güngör

The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.

Stefan Hablützel Look At Me!

Stefan Hablützel Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in “Look At Me!”.