Director: Roberto Rossellini
Cast: Carmela Sazio, Gar Moore, William Tubbs
Italy, 120’, 1946, black & white
Italian with Turkish subtitles
A landmark of neorealism, Paisan is the first film to earn Alfred Hayes an Academy Award nomination, and the second entry in Rossellini’s War Trilogy (after Rome, Open City). In six episodes (each by a different writer, including one by Federico Fellini), it recounts the Allied invasion of Italy during World War II. The final sequence—depicting a battle in the Po Valley between the Germans and Italian Resistance—is a hair-raising, nearly wordless tour-de-force of suspense.
Trailer
About a year ago, Ela was dead for seven minutes. Death had come to her as she was watching her younger brother play gleefully in the sandpit at the park. A sudden flash that washed her world with a burning white light, a merciless roar resembling that of a monster…
The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.
Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’.
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