History of Italian Cinema

  • May 4, 2014 / 12:30
  • May 14, 2014 / 16:00

Director: Carlo Lizzani
Italy, 165’, 1992, color

Italian with Turkish subtitles

So what is neorealism? André Bazin called it a cinema of 'fact' and 'reconstituted reportage', having its antecedents in the anti-Fascist movement with which these directors identified. Although they owed a debt to Renoir (with whom both Luchino Visconti and Michelangelo Antonioni had worked), the neo-realists respected the entirety of the reality they filmed. For a more scholarly documentary approach, this documentary by Carlo Lizzani produced in 1992 as the "Antologia del Cinema Italiano" series, covers neorealism in a very wide scope from 1942 to 1954.

Rome, Open City

Rome, Open City

Paisan

Paisan

Germany Year Zero

Germany Year Zero

Stromboli

Stromboli

Umberto D

Umberto D

Bread, Love and Dreams

Bread, Love and Dreams

I Vitelloni

I Vitelloni

Journey to Italy

Journey to Italy

Banditi a Orgosolo

Banditi a Orgosolo

Cesare Zavattini

Cesare Zavattini

History of Italian Cinema

History of Italian Cinema

Have you noticed the gigantic photo on the facade of our building?

Have you noticed the gigantic photo on the facade of our building?

Have you noticed the gigantic photo on our façade? Our Cold Front from the Balkans exhibition focuses on different generations of artists and art groups from the Balkan region.

The adventure of the Big ‘K’

The adventure of the Big ‘K’

In a bid to review the International System of Units (SI), the International Bureau of Weights and Measures gathered at the 26th General Conference on Weights and Measures on November 16, 2018. Sixty member states have voted for changing four out of seven basic units of measurement. The kilogram is among the modified. Before describing the key points, let us have a closer look into the kilogram and its history.

Giacometti: Early Works

Giacometti: Early Works

Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.