Director: Federico Fellini, Louis Malle, Roger Vadim
Cast: Jane Fonda, Terence Stamp, Brigitte Bardot, Peter Fonda, Alain Delon
France, Italy 121’, 1968, color
French and English with Turkish subtitles
An irresistible and guilty pleasure, this anthology based on stories by Edgar Allan Poe is a rare opportunity to see three of the biggest names in 1960s European film direction working in the short form. They're also plain outrageous. Roger Vadim's Metzengerstein stars real-life siblings Jane and Peter Fonda perversely cast as lovers. Louis Malle's William Wilson is an in-your-face take on Poe's classic doppelgänger fable. Finally, Fellini's Toby Dammit proves to be the most interesting piece in the trio, featuring Terence Stamp in a terrific performance as an actor at the end of his rope (the equivalent of Mastroianni's burned-out director in Fellini's 8½), who has come to Rome to star as Christ in a New Testament Western. Dense with Fellini's dreamy textures and iconic clutter, Toby Dammit is a fun experience.
Trailer
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
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