Aida Abadžić Hodžić & Edward Lucie-Smith

Talk

February 16, 2017 / 18:30

As part of the exhibition Mersad Berber: An Allegory of BosniaAida Abadžić Hodžić, the exhibition’s curator and art critic Edward Lucie-Smith, one of the leading art historians in Bosnia and Herzegovina, will be in conversation. Edward Lucie-Smith, the author of iconic books such as Art Today and Visual Arts in the Twentieth Century, maintains that Mersad Berber’s vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.

Free of admissions, drop in. This event will take place in the auditorium. The talk will be in English with simultaneous Turkish translation.

Temporary Exhibition

Mersad Berber

Mersad Berber (1940 – 2012) is one of the greatest and most significant representatives of Bosnian–Herzegovinian art from the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.

Mersad Berber

Reminiscences of Motifs

Reminiscences of Motifs

As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations? 

Fluid Identities  Creating an Identity / Hybrid Identities

Fluid Identities Creating an Identity / Hybrid Identities

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.

Introducing… Turkish coffee!

Introducing… Turkish coffee!

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.