Conference
April 4, 2015 / 14:30
Giacometti has always tried to see and capture reality. But he can’t. In his quest for reality, he chips away at his early sculptures, reducing them to nothingness. He eventually begins to work with “surreal” objects and revolutionizes the field. Shortly thereafter, however, he returns to the age-old problematic of aesthetics and attempts to discover the interaction between art and reality. He gets stuck with endless copies. He fails to complete his brother’s portrait and bust for five years, even though he works on them every day. He admits he “can’t even finish a head.” In the end, however, he creates an aesthetics, a philosophy out of this cul-de-sac of reality that imprisoned him. He inspires the existentialists as much as he does the surrealists.
Free of admissions. Conference language is Turkish.
Limited space, drop in.
Ali Artun graduated from METU Department of Architecture. He is the founder and member of numerous associations in art and architecture. He took part in the establishment of Gallery Nev in 1984. Since then, he has organized numerous exhibitions for Gallery Nev in Ankara as well as other exhibitions in Ankara and Istanbul. He edited over a hundred titles published by Gallery Nev. Since 2002, he directs the “Art-Life” series that brings together works in cultural criticism, and teaches in the Graduate Program of Art History at ITU.
Temporary Exhibition
Pera Museum proudly announced the first major exhibition of sculptor and painter Alberto Giacometti in Turkey taking a retrospective approach. Organized in collaboration with the Giacometti Foundation, Paris, this exhibition explored Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece.
Click for more information about the exhibition.
This is one of Stanisław Chlebowski’s larger canvasses dealing with themes other than battles; only Ottoman Life at the Sweet Waters now at the Istanbul Military Museum can compare with it in size.
While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.
I walk over rocks hot as iron under the September sun. I can make out a few lines in the distance, and a few cracked rocks, but apart from those, not a single tree, not one plant
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
