Design, Designer and Fashion: The Past, The Present and The Future
Müşerref Zeytinoğlu, Nihal Müge Kaplangı, Kami Emirhan

Online Talk

October 5, 2021 / 19:00

Pera Museum continues to collaborate with national and international education institutions to introduce young artists’ and designers’ works to audiences. As part of the Confrontation exhibit held on the 25th anniversary of Yeditepe University, events bring panelists from different disciplines together.

The talk titled “Design, Designer and Fashion: The Past, The Present and The Future” will focus on the questions “What is design and when did it begin?”, “Who is a designer?”, “What is fashion?”, and “Can fashion be designed?” and discuss the academic and industrial developments in textile and fashion. 

This meeting will be held on Zoom in Turkish. Reservations are required.

Reservation Form

Temporary Exhibition

Confrontation

Pera Museum continued to collaborate with national and international education institutions to introduce young artists’ and designers’ works to audiences. Curated by Marcus Graf, Confrontation featured art production by the students and graduates of Yeditepe University Faculty’s Fine Arts on the 25th year anniversary of the university. 

Confrontation

The Horse Figure in Mersad Berber’s Works

The Horse Figure in Mersad Berber’s Works

Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.

Today's Stories: Felis <br> Hande Ortaç

Today's Stories: Felis
Hande Ortaç

Inspired by the exhibition Istanbuls Today, Today's Stories series continues with Hande Ortaç's story "Felis"! This series gathers short stories written by authors encouraged by the photographs in the exhibition.

The Big Country

The Big Country

When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.